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For Crew

For the people who actually make the day work.

Movie Lux Artist Management and Associates champions freelance film and television professionals with a crew diary service run by former crew who understand the industry from the inside, managing your availability, negotiating your rates, and connecting you with productions that value your craft, so you can focus on doing your best work and securing your next opportunity.

Join as Crew Brief us with a production need

MovieLux MAM Crew Diary

Representation for freelance film and TV crew.

Join us today. Our crew diary service supports freelance film and television professionals with availability management, rate negotiation, and production introductions handled by people who know the floor from the inside.

Join us today

What this path is about

Production needs names it can trust on day one of the shoot.

Who the agency will represent

Senior below-the-line and key heads of department.

  • Cinematographers and directors of photography.
  • Production designers, art directors, and costume designers.
  • Editors, colourists, and sound designers.
  • 1st, 2nd, and 3rd assistant directors and senior screen craft.
  • Composers and music supervisors for film and television.

Hiring crew?

Production briefs are read by a person, brief by brief.

MAM fields crew requests from production teams one at a time. We respond with tailored shortlists drawn from the in-house roster, and from the wider MovieLux Media Group network when it gets you to the right name faster.

Productions looking to hire should use the hire page for brief format and timing.

What to send

Five things that make your context easy to read.

A focused application is faster to assess and easier to act on. Lead with these.

  1. Department and role (DP, production designer, editor, sound recordist, and so on).
  2. Reel, portfolio, or project pages we can watch end-to-end.
  3. Three to five recent credits with director and production company named.
  4. The markets you currently work in (UK, EU, US).
  5. One sentence on the kind of productions you want more of.

What happens after you apply

From submission to your first booking.

  1. 01

    We watch your reel and read your credits.

    Within four to ten working days. Read by an agent — not a filter. We’ll work through your reel, your portfolio, and your recent productions before we form an opinion.

  2. 02

    First conversation.

    If the interest is mutual, you’ll be invited to a one-hour call or in-person meeting, so we can understand the kind of productions you do your strongest work on, not just the last credit on your IMDb.

  3. 03

    Onboarding & the first briefs.

    Materials reviewed, positioning agreed, contracts signed. The agency starts putting you forward on live production briefs immediately.

Ready to apply as crew?

Every application is read by a person on the team. Typical reply: 4–10 working days.

Join as Crew Brief us with a production need